Studio Work

Material Research / Fibre Exploration / Sustainable Design

Jennifer Williams is a material researcher and sustainable innovator within the fashion and textiles industry. Specialising in woven textiles, Williams explores unconventional materials whilst pushing traditional woven boundaries, exploring the relationships between cloth and fibre. With a vendetta towards cotton and synthetic fibres, Wiliams is tackling the pre-conceptions and connotations associated with using readily available materials around us.

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About Jennifer Anne Studios

A background of my studio work


The craft of weaving is something that is unfortunately dying in todays society, which is why I want to reignite the spark and excitement surrounding woven textiles, whilst exploring and developing material research and sustainable innovation.

Having studied Textile Design at Nottingham Trent as an undergrad in 2016 to 2019, I got a strong taste for exploring and experimenting with a range of fibres and structures to really play with the potential of weave. Dabbling in digital weaving on the jacquard and TC2’s I found that my passion for weaving stood more predominantly in hand weaving on the old dobby floor looms and table looms. I really pushed myself during this time to experiment with a whole range of different yarns, patterns and colours, which you can see in my undergrad portfolio.

Graduating in 2019 I had a lucky escape from the pandemic affecting my studies, and during this unusual time, I learnt how to spin my own yarns. Being so adversed to cotton, I decided to explore the different yarns I could spin myself, such as flax, wool, alpaca, banana, soybean, mint, bamboo, hemp… the list goes on! Not having access to my own loom at this time, I experimented with using these yarns within my knits; both hand and machine, as well as through crochet.

Knowing that I would ultimately study a Masters at some point but the current world situation not being the most stable, I decided to start my own small business creating sustainable accessories using materials such as linen, raffia and local hand-spun alpaca from my small village in Norfolk. Once things became a bit more stable again I decided now was the time to return to Nottingham to continue my studies through an MA in Fashion and Textile Design Innovations, to which I have now graduated with an Exceptional Distinction.

Studying part time means I explored further opportunities around me whilst developing my skills and ideas during my studies. My reason for returning to study an MA was to further explore the relationship between fibre and cloth. I really wanted to push the narrative that there are far better alternatives to cotton, some that you may have never even dreamt of using! To find out more please take a look at my project titled ‘A Hairy Situation’ alongside the accompanying research and films. If you would like to follow my continued journey please follow my instagram at: @jenniferannestudios.

As I mentioned before, unfortunately weaving is becoming a dying skill, I have run various workshops alongside studying my Masters and since graduating have worked part time as an Art and Design lecturer at my local college. Inspiring the next generation of artists and designers, opening their minds to sustainable alternatives and exploring the materials we have around us. I want to bring excitement and curiosity back into not only textiles but design and material, showing people the potential and never ending possibilities whilst at the same time educating on the damaging effects fashion and textiles currently have on the environment and what we can do to reduce the negative impact.

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Jennifer Anne Studios

Studio Set Up *lockdown edition*

2020/21

Fibre + Sample development bts

Hand Spun Merino Yarn

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Hand-spun Flax/Linen Yarn

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Hand made paper from recycled paper and water

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Alpaca wool from a local farmer before being prepared for spinning

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Spinning the alpaca wool

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Happy customer with the alpaca/merino hand knitted ear warmer

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Sketchbook Paintings

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Prepped alpaca wool from a local farmer ready to spin

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Hand knitted ear warmer made from the hand-spun alpaca wool mixed with merino

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Digital design work

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Development board ft. handmade paper and 100% hand-spun alpaca head-warmer

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Modelling of crocheted raffia bags for my online shop

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Crocheted raffia bag for my online shop

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Product photography of sustainable knitted +” crocheted face cloths

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Behind the scenes product photography

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Hand-spinning various fibres including bamboo, soybean, ramie, flax and mint

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Hand-spun hemp yarn

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Hand-spun various fibres

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Foraging stinging nettles to prepare the fibre from and spin

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Preparing stinging nettle fibre

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Preparing stinging nettle fibre

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Knitted fabric on domestic knitting machine - boucle + linen

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Knitted fabric on domestic machine - boucle and linen

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Developed domestic knitted samples - cables + inlay

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Me spinning ramie fibre

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Scraped and prepared stinging nettle fibre ready to be spun

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Sketchbook Page - mark making and materials

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Knitted blanket on domestic machine - boucle and linen

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Developed machine knitted samples

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To see more behind the scenes check out my Instagram

 


Graduate FMP / 2018 - 19

Audacious Eclecticism

A board consisting of woven samples from the first phase of my final year degree in Textile Design. The woven samples are made up of synthetic yarns to allow for longevity. The samples are woven using a deflected double cloth threading and a half pointed half straight threading to create these abstract, unique structures that in conjunction with the yarns has created a durable and interesting cloth quality. Yarn wrappings show the colour and yarn combinations to create the bold samples.

©Jennifer Anne Studios

A board consisting of woven samples from the first phase of my final year degree in Textile Design. The woven samples are made up of synthetic yarns to allow for longevity. The samples are woven using a deflected double cloth threading and a half po…

A board consisting of woven samples from the first phase of my final year degree in Textile Design. The woven samples are made up of synthetic yarns to allow for longevity. The samples are woven using a deflected double cloth threading and a half pointed half straight threading to create these abstract, unique structures that in conjunction with the yarns has created a durable and interesting cloth quality. Yarn wrappings show the colour and yarn combinations to create the bold samples.

©Jennifer Anne Studios

A board consisting of woven samples from the first phase of my final year degree in Textile Design. The woven samples are made up of synthetic yarns to allow for longevity. The samples are woven using a deflected double cloth threading and a half po…

A board consisting of woven samples from the first phase of my final year degree in Textile Design. The woven samples are made up of synthetic yarns to allow for longevity. The samples are woven using a deflected double cloth threading and a half pointed half straight threading to create these abstract, unique structures that in conjunction with the yarns has created a durable and interesting cloth quality. Yarn wrappings show the colour and yarn combinations to create the bold samples.

©Jennifer Anne Studios

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking in…

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking into vintage and retro inspiration rather than just ‘nostalgia’. This has allowed me to explore more niche and unique areas which has sparked creative and exciting outcomes.

©Jennifer Anne Studios

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking in…

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking into vintage and retro inspiration rather than just ‘nostalgia’. This has allowed me to explore more niche and unique areas which has sparked creative and exciting outcomes.

©Jennifer Anne Studios

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking in…

After reviewing my work from phase 1, I decided that I felt I was at a dead end and needed to change directions slightly in order to become more inspired and motivated towards my project. I ended up taking a spin on my initial project and looking into vintage and retro inspiration rather than just ‘nostalgia’. This has allowed me to explore more niche and unique areas which has sparked creative and exciting outcomes.

©Jennifer Anne Studios

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated …

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated a few fancy yarns to in-keep with the rest of my samples.

©Jennifer Anne Studios

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated …

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated a few fancy yarns to in-keep with the rest of my samples.

©Jennifer Anne Studios

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated …

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated a few fancy yarns to in-keep with the rest of my samples.

©Jennifer Anne Studios

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated …

Different for me, I decided to go with an all lambs wool warp to create more diversity within my collection of fabrics. I used a pointed draft in conjunction with some figurative lifting plans to create some retro style fabrics. I also incorporated a few fancy yarns to in-keep with the rest of my samples.

©Jennifer Anne Studios

This sample is from another warp I produced entirely made up of fancy yarns. I felt much more in my element with this warp and was able to create some interest textures and different weights of fabrics. I used similar lifting plans to the lambs wool…

This sample is from another warp I produced entirely made up of fancy yarns. I felt much more in my element with this warp and was able to create some interest textures and different weights of fabrics. I used similar lifting plans to the lambs wool warp but the difference the yarns has is really interesting. They’re also larger scale.

©Jennifer Anne Studios

This is a progress photo of layering up my samples with other work such as mood boards and inspiration. By doing this it was interesting to see how all my work is beginning to work together.©JennywDesigns

This is a progress photo of layering up my samples with other work such as mood boards and inspiration. By doing this it was interesting to see how all my work is beginning to work together.

©Jennifer Anne Studios

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.©…

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.

©Jennifer Anne Studios

Visualisation of my designs

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Technical Drawing Visualisations of Designs

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This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps.©JennywDesigns

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps.

©Jennifer Anne Studios

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps.©JennywDesigns

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps.

©Jennifer Anne Studios

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.©…

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.

©Jennifer Anne Studios

Visualisation of my designs

Copyright of Jennifer Anne Studios

Technical Drawing Visualisations of Designs

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This is a progress photo of layering up my samples with other work such as mood boards and inspiration. By doing this it was interesting to see how all my work is beginning to work together.©JennywDesigns

This is a progress photo of layering up my samples with other work such as mood boards and inspiration. By doing this it was interesting to see how all my work is beginning to work together.

©Jennifer Anne Studios

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.©…

This is a progress shot of some of my fabrics as they were developing as a collection. It shows a snippet of different fabrics created from a variety of different warps as well as some experimentation with knitted samples and digital print samples.

©Jennifer Anne Studios

This is a sample I produced on the TC2 loom which is made up of a lot of fluffy fibres. Here I am trying it out as a jumper sleeve on the body.©JennywDesigns

This is a sample I produced on the TC2 loom which is made up of a lot of fluffy fibres. Here I am trying it out as a jumper sleeve on the body.

©Jennifer Anne Studios

Visualisation of my designs

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Technical Drawing Visualisations of Designs

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Visualisation of Designs

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Grad Collection BTS

2018-19

Audacious Eclecticism BTS

Close up of warp making

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Warp threaded up

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Warp on the back of the loom

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Weaving on the loom

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Weaving on the TC2 loom

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Close up process of making a warp

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Weaving on the TC2 loom

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Weaving on the Dobby loom

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Visualisations and technical drawing for my designs

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BTS photography shoot for imagery to visualise my designs onto

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Visualisations and technical drawings of my designs

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Close up weaving on a TC2 loom

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Weaving samples on the Dobby loom

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Weaving silk sample on dobby loom

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Weaving on a TC2 loom

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BTS photography shoot for imagery to visualise my designs onto

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Visualisations of my designs

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Second Year Project / 2017 - 18

Artisanal Reminiscence

A concept board of my ideas for my project - Artisanal Reminiscence. Based on the ideas and fundamentals of hand-made and curated things, straying away from machine made and over produced things that end up un-used and in landfill. I want to show the beauty of crafting and creating yourself, in limited quantities.

©Jennifer Anne Studios

Hand embellished fabric for the haute-couture aesthetic of Artisanal Reminiscence alongside sketchbook work.©JennywDesigns

Hand embellished fabric for the haute-couture aesthetic of Artisanal Reminiscence alongside sketchbook work.

©Jennifer Anne Studios

Sketchbook visual research collage.©JennywDesigns

Sketchbook visual research collage.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence exploring stitch like techniques to replicate hand techniques.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence exploring stitch like techniques to replicate hand techniques.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.

©Jennifer Anne Studios

Hand embellishing on faux fur fabric next to sketchbook work that inspired the sample.©JennywDesigns

Hand embellishing on faux fur fabric next to sketchbook work that inspired the sample.

©Jennifer Anne Studios

Development work of colour palette, sketchbook work, CAD work and laser cut samples.©JennywDesigns

Development work of colour palette, sketchbook work, CAD work and laser cut samples.

©Jennifer Anne Studios

Sketchbook visual research collage exploring composition, scale, texture and colour.©JennywDesigns

Sketchbook visual research collage exploring composition, scale, texture and colour.

©Jennifer Anne Studios

Laser cut sample into faux fur with glitter tape yarn tassles.©JennywDesigns

Laser cut sample into faux fur with glitter tape yarn tassles.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence, inspired by my visual research and incorporating hand manipulating techniques such as tassels.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence, inspired by my visual research and incorporating hand manipulating techniques such as tassels.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.

©Jennifer Anne Studios

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.©JennywDesigns

A woven sample from my collection for the project Artisanal Reminiscence. Exploring tweed-like fabrics using fancy synthetic yarns for longevity.

©Jennifer Anne Studios

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.©JennywDesigns

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.

©Jennifer Anne Studios

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.©JennywDesigns

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.

©Jennifer Anne Studios

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.©JennywDesigns

A visualisation of a collection of my samples shown as a paper doll cut out in order to in-keep with the hand-made, nostalgic, haute couture aesthetic.

©Jennifer Anne Studios

A visualisation of a collection of my samples shown as a realistic line-up to represent what my samples would look like together.©JennywDesigns

A visualisation of a collection of my samples shown as a realistic line-up to represent what my samples would look like together.

©Jennifer Anne Studios

 


Aston Martin Competition

Re-designing the interior of the Aston Martin Superleggera

Awarded 1st Place

2019

This is a board covering the basis of what the project is about and brand research for Aston Martin.©JennywDesigns

This is a board covering the basis of what the project is about and brand research for Aston Martin.

©Jennifer Anne Studios

This is a board researching inspiration for the project, sparking ideas and concepts.©JennywDesigns

This is a board researching inspiration for the project, sparking ideas and concepts.

©Jennifer Anne Studios

This is a board looking into innovation and design within high end sports cars. Incorporating my own innovative ideas such as complex weaving structures for carbon fibre.©JennywDesigns

This is a board looking into innovation and design within high end sports cars. Incorporating my own innovative ideas such as complex weaving structures for carbon fibre.

©Jennifer Anne Studios

This is a board with the samples I had laser cut and etched. These samples are able to be used in a variety of ways to inspire different aspects of automotive interior for Aston Martin. For example, air vents, upholstery, edging, detailing, contrast…

This is a board with the samples I had laser cut and etched. These samples are able to be used in a variety of ways to inspire different aspects of automotive interior for Aston Martin. For example, air vents, upholstery, edging, detailing, contrast stitching and so on.

©Jennifer Anne Studios

This is a board looking into the relationship between traditional and contemporary automotive design. Looking at the past to spark ideas for the future. Something Porche is well known for doing well.©JennywDesigns

This is a board looking into the relationship between traditional and contemporary automotive design. Looking at the past to spark ideas for the future. Something Porche is well known for doing well.

©Jennifer Anne Studios

This is a board full of innovative and exciting materials for automotive interiors. There are selections of different carbon fibre samples, alcantara, leather and fibre glass yarn wrappings.©JennywDesigns

This is a board full of innovative and exciting materials for automotive interiors. There are selections of different carbon fibre samples, alcantara, leather and fibre glass yarn wrappings.

©Jennifer Anne Studios